MoviefiedNYC’s 2018 Oscar Predictions: Who will Win and SHOULD win!

This weekend, the 90th Academy Awards will be held and Hollywood will bestow its highest honor to a deserving few. If you are going to an Oscar party and haven’t had time to see all of the nominated films, fear not, the MoviefiedNYC team has done all of the leg work for you. Managing Editors John David West and Myrna Duarte share their predictions along with Award Season Guru Ariadne Ansbro and Eddie Mouradian cinephile MoviefiefiedNYC contributor. Below are our picks for who will win and which of the nominees should win.

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Call Me By Your Name, Darkest Hour, Dunkirk, Get Out, Lady Bird, Phantom Thread, 
The Post, The Shape of Water, and Three Billboards Outside Ebbing, Missouri

Best Picture:

Call Me By Your Name, Darkest Hour, Dunkirk, Get Out, Lady Bird, Phantom Thread, 
The Post, The Shape of Water, and Three Billboards Outside Ebbing, Missouri

Ari: Who will Win: This is really a toss-up.  The Shape of Water and Three Billboards Outside Ebbing, Missouri have collectively picked up all of the pre-Oscar awards, and split them almost evenly.  I am going to say that ultimately, the fishman will steal the show and The Shape of Water will be the big winner.   Who Should Win: The film that really impressed me the most this year was Three Billboards Outside Ebbing, Missouri.  This film could have been very depressing a la Rabbit Hole, but it wasn’t.  It actually ended on a positive note, which was refreshing.

David: Who will Win: The Shape of Water.  Who Should Win: The Shape of Water with a Dunkirk chaser! I would love to see a Dunkirk upset.

Eddie: Who will Win: Smart money is on Three Billboards because we live in a world where racists get a redemption arc or The Shape of Water because #FishmanSex (and it’s beautiful). But I’ve never been smart of had money so I’m calling for a Get Out upset.  Who Should Win: It’s a great year for movies when the best Steven Spielberg film in years is basically given a consolation prize. Lady Bird and  Call Me By Your Name spoke to the anguished teen inside me, but no movie–maybe ever–has made me think more than Get Out.

Myrna: Who will Win: Three Billboards Outside Ebbing, Missouri and I don’t understand why. Who Should Win: The Shape of Water, a beautiful haunting political fairytale, but wouldn’t it be great to have a real upset and have the un-nominated Florida Project win.

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The Shape of Water, Guillermo del Toro, Dunkirk, Christopher Nolan, Get Out, Jordan Peele,
Lady Bird, Greta Gerwig, Phantom Thread, Paul Thomas Anderson

Best Director:

Dunkirk, Christopher Nolan
Get Out, Jordan Peele
Lady Bird, Greta Gerwig
Phantom Thread, Paul Thomas Anderson
The Shape of Water, Guillermo del Toro

Ari: Who will Win: The Mexican and Spanish directors have been cleaning up in recent years.  Welcome to their ranks, Guillermo del Toro.  Who Should Win: I would really be happy if any of them would win.  They all did a phenomenal job.

David: Who will Win and should win: Guillermo del Toro  for the The Shape of Water. Would love to see Christopher Nolan, or Paul Thomas Anderson, or Jordan Peele win as well. 

Eddie: Who will Win: Guillermo del Toro, The Shape of Water has this locked up. And it’s well-deserved and about time.   Who Should Win: Sorry folks, but Christopher Nolan‘s direction of the oddly forgotten Dunkirk was next level.

Myrna: Who will Win and Should Win: The Shape of WaterGuillermo del Toro, there are few directors that can take you into their dreams. The only upset I could live with is Jordan Peele for Get Out.

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Gary Oldman, Darkest Hour, Daniel Day-Lewis, Phantom Thread, Timothée Chalamet, Call Me By Your Name, Daniel Kaluuya, Get Out, Denzel Washington, Roman J. Israel, Esq

Best Actor:

Timothée Chalamet, Call Me By Your Name
Daniel Day-Lewis, Phantom Thread
Daniel Kaluuya, Get Out
Gary Oldman, Darkest Hour
Denzel Washington, Roman J. Israel, Esq.

Ari: Who will Win: This is Gary Oldman’s year.  The only way he does not walk out of there with an Oscar is if Timothée Chalamet runs up on stage, steels it, and runs away.  Who Should Win: While it may be passe, I really enjoyed Oldman’s performance in Darkest Hour.  The film was very meh, but he elevated it and truly disappeared inside of Churchill.

David: Who will Win and should win: Gary Oldman in the Darkest Hour. It’s his to lose. If they’re running of time, Oscar telecast could just skip this category and have Emma Stone deliver the Oscar to his seat in the front row. Timothée Chalamet, Call Me By Your Name is a very close second.

Eddie: Who will Win:  Gary Oldman, Darkest Hour. I assume the space is already on his shelf. Who Should Win: Timothée Chalamet, Call Me By Your Name was revelatory and shouldn’t be denied his Oscar just because he’ll surely have other opportunities in the future.

Myrna: Who will Win and Should Win: Gary Oldman, Darkest Hour though I am concerned with all the brouhaha about Phantom Thread being Day-Lewis’s last film that he could steal the award from Oldman.

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Frances McDormand, Three Billboards Outside Ebbing, Missouri, Sally Hawkins, The Shape of Water, Margot Robbie, I, Tonya, Saoirse Ronan, Lady Bird, Meryl Streep, The Post

Best Actress: 

Sally Hawkins, The Shape of Water
Frances McDormand, Three Billboards Outside Ebbing, Missouri
Margot Robbie, I, Tonya
Saoirse Ronan, Lady Bird
Meryl Streep, The Post

Ari: Who will Win: Frances McDormand is about to become a two-time Academy Award winner.  Who Should Win: I will probably be hanged for this, but Meryl StreepHer portrayal of Katherine Graham was filled with so many layers.  Her inner conflict and trepidation were palpable.

David: Who will Win: Frances McDormand  Who Should Win: Margot Robbie, I, Tonya. Oh, and where is Annette Bening’s name on this list? She was a bit more deserving for her performance in Film Stars Don’t Die in Liverpool than a few of the other nominees this year–but I’m on team Robbie.

Eddie: Who will Win: Frances McDormand, Three Billboard Outside Ebbing, Missouri will deservedly join an elite group of double Best Actress winners.  Who Should Win: I’m not mad that Franny is going to win her second Oscar, but Meryl Streep in The Post though…

Myrna:  Frances McDormand, Three Billboards Outside Ebbing, Missouri. I love Frances McDormand but I don’t think this is an award-winning role for her. Who Should Win: Margot Robbie in I, Tonya truly disappears into the role of Tonya Harding.

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Sam Rockwell, Three Billboards Outside Ebbing, MissouriWillem Dafoe, The Florida Project, 
Woody Harrelson, Three Billboards Outside Ebbing, Missouri, Richard Jenkins, The Shape of Water,
Christopher Plummer, All the Money in the World

Best Supporting Actor:

Willem Dafoe, The Florida Project
Woody Harrelson, Three Billboards Outside Ebbing, Missouri
Richard Jenkins, The Shape of Water
Christopher Plummer, All the Money in the World
Sam Rockwell, Three Billboards Outside Ebbing, Missouri 

Ari: Who will Win: This is Sam Rockwell’s year.  From the minute I saw Three Billboards, I knew that he would be the one to beat come Oscar season.  Who Should Win: Sam Rockwell.  I know that my fellow writers all think there were some writing flaws to his character, but I disagree.  He was just great in a great role.

David: Who will and Should Win: Sam Rockwell, despite some script problems, Rockwell rises above the material and delivers a killer performance in Three Billboards Outside Ebbing, Missouri.

Eddie: Who will Win:  Sam Rockwell, Three Billboards Outside Ebbing, Missouri Who Should Win: Sam Rockwell, Three Billboards Outside Ebbing, Missouri–it’ s not his fault his character has a weirdly problematic and completely unearned redemption arc.

Myrna: Who will Win: Sam Rockwell, Three Billboards Outside Ebbing, Missouri Who Should Win: Willem Dafoe, The Florida Project a film that deserved more nominations than it received.

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Allison Janney, I, Tonya, Laurie Metcalf, Lady Bird, Lesley Manville, Phantom Thread, 
Octavia Spencer, The Shape of Water, Mary J. Blige, Mudbound

Best Supporting Actress:

Mary J. Blige, Mudbound
Allison Janney, I, Tonya
Lesley Manville, Phantom Thread
Laurie Metcalf, Lady Bird
Octavia Spencer, The Shape of Water

Ari: Who will and should win: Allison Janney for her role as the tough as nails mother of figure skater Tonya Harding in I, Tonya.  Janney’s film work has been as exceptional as her television work and it is about damn time she was recognized. The bird deserves an award, too.

David: Who will and should Win: Allison Janney, I, Tonya. She killed, she owned it, she rocked–give Janney the prize!  HOWEVER, I would LOVE to see Lesley Manville win!

Eddie: Who will Win:  Allison Janney, I, Tonya – great performance, even greater bird. Who Should Win: Laurie Metcalf, Lady Bird gave my favorite performance of the year.

Myrna: Who will Win and Should Win: Allison Janney, I, Tonya

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Best Adapted Screenplay: 

Call Me By Your Name, James Ivory
The Disaster Artist, Scott Neustadter and Michael H. Weber
Logan, Scott Frank, James Mangold, Michael Green
Molly’s Game, Aaron Sorkin
Mudbound, Virgil Williams and Dee Rees 

Ari: Who will Win: James Ivory (of Merchant-Ivory fame) will pick up his first Oscar for his adaptation of André  Aciman’s pretentious novel, Call Me By Your Name  Who Should Win: Aaron Sorkin, Molly’s Game should win for anything he ever does.  His writing is always head and shoulders above anyone else’s.

David: Who will and Should Win: Call Me By Your Name, James Ivory. After three previous nominations, this is his time.

Eddie: Who will Win:  Call My By Your Name, James Ivory  Who Should Win: Despite the protests of the comic book nerd and West Wing fan inside me, Call My By Your Name, James Ivory.

Myrna: Who will Win: Molly’s Game, Aaron Sorkin Who Should Win: The script for Logan by Scott Frank, James Mangold, and Michael Green brings us the emotional and character-driven Wolverine film we have all been waiting for.  

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The Big Sick

Best Original Screenplay:

The Big Sick, Emily V. Gordon and Kumail Nanjiani
Get Out, Jordan Peele
Lady Bird, Greta Gerwig
The Shape of Water, Guillermo del Toro and Vanessa Taylor
Three Billboards Outside Ebbing, Missouri, Martin McDonagh 

Ari: Who will Win:  This is another close category.  Martin McDonagh has been receiving accolades for his script of Three Billboards and since he did not receive a directing nomination, this may be his conciliation prize. However, I would have to give the edge to Jordan Peele for his truly innovative and original script for Get Out. Who Should Win: The Big Sick was the best film that I saw this year.  Emily V. Gordon and Kumail Nanjiani crafted a brilliant script out of the story of how they fell in love.

David: Who will Win: Get Out, Jordan Peele, this is an opportunity to give best the picture nominee Get Out an award.  Who Should Win:  Get Out, Jordan Peele or even The Big Sick, but certainly not Martin McDonagh clunky Billboards.

Eddie: Who will Win:  Get Out, Jordan Peele  Who Should Win: Toughest category of the night: Get Out couldn’t be more relevant, hilarious, frightening and eye-opening, but with Lady BirdGreta Gerwig redefined herself and spoke to the teenage girl living inside all of us.

Myrna: Who will Win: Get Out, Jordan Peele for a film that defines our time.
Who Should Win: The Big Sick, Emily V. Gordon, and Kumail Nanjiani for a film that defines our heart.

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Coco, The Boss Baby, Ferdinand, The Breadwinner, Loving Vincent

Best Animated Feature:

The Boss Baby
The Breadwinner
Loving Vincent

Ari: Who will Win: Never bet against Pixar.  Coco for the win. Who Should Win: Loving Vincent was one of the most visually stunning films I have ever seen.  I would give it to that.

David: Who will and Should Win: Coco. The Breadwinner was a powerful and captivating work but I have to go with Coco.

Eddie: Who will Win & Should Win: Coco, because Pixar.

Myrna: Who will Win and Should Win: Coco, a joyous and stunning tribute to family and culture.

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Garden Par

Best Animated Short:

Dear Basketball
Garden Party
Negative Space
Revolting Rhyme

Ari: Who will Win: Even though it was the weakest of the shorts, it will probably go to Dear Basketball.  Everybody loves Kobe Bryant.  Who Should Win: Revolting Rhymes

David: Who will Win: Dear Basketball. The weakest of the group but the cool factor of Kobe Bryant winning, plus a score by John Williams may be too hard to resist for Academy voters. Who Should Win: Garden Party appealed to my darker taste but Revolting Rhymes might be the best of a strong group.

Myrna: I am sad to say I missed the shorts this year

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Best Cinematography:

Blade Runner 2049
Darkest Hour
The Shape of Water

Ari: Who will Win:  The Shape of Water was tailor made for this category.  Welcome to the Winners Circle Dan Laustsen. Who Should Win: I was really taken with the photography of MudboundRachel Morrison really captured the feeling of a post WWII Mississippi farm.

David: Who will Win: Dan Laustsen, The Shape of Water  Who Should Win: Blade Runner 2049.

Eddie: Who will Win:  This will be the test to see how deep into The Shape of Water the Academy is. I think Dan Laustsen takes it for that visually sumptuous film. Who Should Win: I’m not mad at a The Shape of Water win, but did you see Blade Runner 2049? It was too beautiful to comprehend.

Myrna: Who will Win: Dan Laustsen for capturing the gritty beauty of fantastical film The Shape of Water   Who Should Win: The 14-time Oscar nominee Roger Deakins for the stunning Blade Runner 2049 and so many other films.

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Phantom Thread

Best Costume Design 

Beauty and the Beast
Darkest Hour
Phantom Thread
The Shape of Water
Victoria & Abdul

Ari: Who will and should Win: Phantom Thread no contest.  Dresses in the style of Charles James? I am so on board.

David: Who will and should win: Phantom Thread

Eddie: Who will Win: I think this is where Phantom Thread picks up a win. It’s about clothes! (Well, not really.)  Who Should Win: Phantom Thread. 

Myrna: Who will Win and Who Should Win: Luis Sequeira for The Shape of Water. ‘Make it like a George Clooney of fish-men!’ – Guillermo del Toro

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Faces Places

 Best Documentary:

Abacus: Small Enough to Jail
Faces Places
Last Man in Aleppo
Strong Island 

Ari: Who will Win: Faces Places was a lighter film with beautiful imagery. I think it will probably get the award.  Who Should Win: Yance Ford’s Strong Island was a brilliant depiction of injustice and racism in what is supposed to be a progressive place.

David: Who will and Should Win: Faces Places is unforgettable for finding the extraordinary beauty in ordinary people. It will be a treat to see Agnès Varda, the mother of the French New Wave win an Oscar.

Eddie: Who will Win: Faces Places  Who Should Win: Last Man in Aleppo

Myrna: A difficult category but Faces Places will and should win. I am still haunted by the beautiful imagery of this documentary.  

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Baby Driver

Best Film Editing:

Baby Driver
I, Tonya
The Shape of Water
Three Billboards Outside Ebbing, Missouri

Ari: Who will and should Win: Dunkirk. While it annoys me that Christopher Nolan always has to do something weird with time in his films, he does it brilliantly with the help of long-time collaborator Lee Smith.  Not to mention he was robbed of a nomination for Inception.

David: Who will Win: I have a feeling that Baby Driver may be the upset here however, usually the best editing winner is also the best picture winner. So, I’m going with Dunkirk—what? Who Should Win: Baby Driver

Eddie: Who will Win & Should Win: Dunkirk, although the editing of I, Tonya was practically another lead character.

Myrna: Who will Win: Dunkirk for its amazing layering of time.  Who Should Win: Baby Driver for being an action dance piece set to music.

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A Fantastic Woman, Chile

Best Foreign Language Film: 

A Fantastic Woman, Chile
The Insult, Lebanon
Loveless, Russia
On Body and Soul, Hungary
The Square, Sweden

Ari: Who will Win: A Fantastic Woman will probably resonate with Academy voters.  Who Should Win: The Square

David: Who will Win: A Fantastic Woman. Who Should Win: I only saw The Square in this category and I don’t feel this one is strong enough to win.

Eddie: Who will Win & Should Win: The Square. That’s what you get for putting Elisabeth Moss in your movie!

Myrna: Who will Win and Who Should Win: The Square, Sweden 

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Heaven Is A Traffic Jam on the 405

Best Documentary Short: 

Edith and Eddie
Heaven Is A Traffic Jam on the 405
Knife Skills
Traffic Stop

Ari: Who will Win: Netflix should pick up its second win in this category for Heroin(e).  Who Should Win: Heaven Is A Traffic Jam on the 405, even though I haven’t seen it, I would give it a win for the name.

David: Who will Win: word on the street (the web) is that this one will go to Heaven Is A Traffic Jam on the 405. 

Myrna: Who will Win: Heroin(e) Who Should Win: Knife Skills a powerful film about second chances.  

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Watu Wote/All of Us 

Best Live Action Short:

DeKalb Elementary
The Eleven O’Clock
My Nephew Emmett
The Silent Child
Watu Wote/All of Us 

Ari: Who will Win: DeKalb Elementary, unfortunately, became all too real two weeks ago at Marjory Stoneman Douglas High School in Parkland, Florida.   Who Should Win: The Silent Child really brought you into the world of the deaf.

David: Who will Win: DeKalb Elementary is actually the weakest of the group, but I think the subject will resonate with voters. Who Should Win: The Silent Child.

Myrna: This is a hard category, I liked all the nominees but I believe My Nephew Emmett will win but it is  The Silent Child that should win for truly immersing us into the world of a deaf child.

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Best Makeup and Hairstyling:

Darkest Hour
Victoria & Abdul

Ari: Who will and should Win: Darkest Hour for putting Gary Oldman in a fat suit.

David: Who will and should win: Darkest HourGary Oldman’s transformation into Winston Churchill by David Malinkowski, Lucy Sibbick, Anita Burger was brilliant.


Eddie: Who will Win & Should Win: Darkest Hour. Don’t even talk to me about Wonder.

Myrna: Darkest Hour will win but I, Tonya should win. 

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Star Wars: The Last Jedi

Best Original Score: 

Phantom Thread
The Shape of Water
Star Wars: The Last Jedi
Three Billboards Outside Ebbing, Missouri

Ari: Who will Win: Alexandre Desplat has been pulling in all of the pre-Oscar awards.  I would expect him to take home the gold for The Shape of Water.  Who Should Win: Hans Zimmer did a truly incredible job with this work on Dunkirk.

David: Who will Win: The Shape of Water.  Who Should Win: This was a strong year for movie scores. I loved Jonny Greenwood’s score for Phantom Thread, it complements the lush visual textures of the film, but I have to go with Hans Zimmer’s score for Dunkirk, it was essential to the film.

Eddie: Who will & Should Win: Dunkirk because it’s the only score that defined the movie.

Myrna: Alexandre Desplat for The Shape of Water will win, deservedly so but the sonic wonder of Dunkirk could come in as an upset.  

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“This Is Me,” The Greatest Showman

Best Original Song: 

“Mighty River,” Mudbound
“Mystery of Love,” Call Me By Your Name
“Remember Me,” Coco
“Stand Up For Something,” Marshall
“This Is Me,” The Greatest Showman

Ari: Who will Win: “This Is Me” from The Greatest Showman since it is so hummable.   Who Should Win: “Remember Me” from Coco.  I have loved Kristin Anderson-Lopez and Robert Lopez since Avenue Q.

David: Who will Win: “Remember Me,” Coco.  Who Should Win: “Mystery of Love,” Call Me By Your Name.

Eddie: Who will Win:  “Remember Me” Coco. Who Should Win: I’m actually humming “This Is Me” right now.

Myrna: “This Is Me,” The Greatest Showman will win, the Academy loves a good anthem but it’s “Remember Me,”Coco that has my heart.

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The Shape of Water

Best Production Design: 

Beauty and the Beast
Blade Runner 2049
Darkest Hour
The Shape of Water

Ari: Who will and should Win: The Shape of Water was so visually stunning for both its cinematography and its production design.  This one should take home the prize.

David: Who will Win: The Shape of Water  Who Should Win: The Shape of Water

Eddie: Who will Win & Should Win: The production of The Shape of Water was almost too beautiful.

Myrna: The Shape of Water will win and should win. Guillermo del Toro’s and Paul Austerberry’s visual storytelling take us to a dreamy, romantic, fantastical world I never want to leave.

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Best Sound Editing: 

Baby Driver
Blade Runner 2049
The Shape of Water
Star Wars: The Last Jedi

Ari: Who will and should Win: Dunkirk¸ full stop.

David: Who will and Should Win: Dunkirk 


Eddie: Who will Win & Should Win:I couldn’t imagine a movie more deserving than Baby Driver… until I saw Dunkirk.

Myrna: Dunkirk will win but I am voting for Blade Runner 2049 and it’s wonderful use of silence.

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Baby Driver

Best Sound Mixing: 

Baby Driver
Blade Runner 2049
The Shape of Water
Star Wars: The Last Jedi

Ari: Who will and should Win: See above

David: Who will Win:   Who Should Win:

Eddie: Who will Win & Should Win: Please see my above answer for film editing. Dunkirk.

Myrna: Dunkirk will win and it would be totally deserving but there was some special kind of magic going on in Baby Driver.

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Blade Runner 2049

Best Visual Effects:

Blade Runner 2049
Guardians of the Galaxy Vol. 2
Kong: Skull Island
Star Wars: The Last Jedi
War for the Planet of the Apes

Ari: Who will Win: I am going to go out on a limb and say Blade Runner 2049 will pick up this award, but I would not be surprised if War for the Planet of the Apes is victorious. Who Should Win: Blade Runner 2049

David: Who will Win: This one will go to the amazing motion capture performances of War for the Planet of the Apes. Who Should Win: I loved Blade Runner but I think the Apes have it.

Eddie: Who will Win:  The sheer number of below-the-line nominations Blade Runner 2049 has received shows The Academy’s appreciation for the technical marvel. This will be a category where that appreciation pays off.  Who Should Win: Is it crazy to say that sadly forgotten Kong: Skull Island?

Myrna: War for the Planet of the Apes the last film in the trilogy will win but it really belongs to Blade Runner 2049 with the Best Cinematography award for Roger Deakins.


The 90th Academy Awards will be announced on Sunday, March 4 on ABC. Join MoviefiedNYC for live streaming at @MoviefiedNYC


MoviefiedNYC’s Oscar Predictions: Who will Win and SHOULD win!

oscar-17This weekend the 89th Academy Awards will be held where Hollywood will bestow its highest honor to a deserving few. If you are going to an Oscar party and haven’t had time to see all of the nominated films, fear not, the MoviefiedNYC team has done all of the leg work for you. Managing Editors John David West and Myrna Duarte share their predictions along with Award Season Guru Ariadne Ansbro. Below are our picks for who will win and which of the nominees should win.

Best Picture: Arrival, Fences, Hacksaw Ridge, Hell or High Water, Hidden Figures, La La Land, Lion, Manchester by the Sea, Moonlight


  • Ari – Who will WinLa La Land will take home the gold.  This film swept the Golden Globes and won a record setting 7 awards, not to mention it has picked up a record-tying 14 Oscar nominations, and it won the Producers Guild Award.  See a pattern? Who Should Win: La La Land.  It has been a difficult year, and this film lifted its audience into the clouds.
  • John David – Who will Win: La La Land is clearly set to win, it has 14 nominations, it won the Golden Globe, and it’s a happy movie in depressing year. Oh, and it’s about LA and the movie business, that guarantees a win.  Who Should Win: I’m kind of split between Manchester by the Sea and Moonlight. A Moonlight upset would be sweet, but Manchester is my best movie of 2016. 
  • Myrna – Who will Win:  Ugh .., La La Land, though I do do think Hidden Figures might be giving it a little competition.   Who Should Win: Moonlight a deeply affecting, beautifully-made film, indie favorite, a surprise hit with a passionate fan base.
Best Director: Denis Villeneuve, Arrival, Mel Gibson, Hacksaw Ridge, Damien Chazelle, La La Land, Kenneth Lonergan, Manchester by the Sea, Barry Jenkins, Moonlight
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Damien Chazelle, La La Land
  • AriWho will Win: Damien Chazelle will pick up his first Oscar for directing La La Land.  This film was a labor of love that took him years to have made.  It’s time for that hard work to pay off.  Who Should Win: I loved what Chazelle did was Land, so to have him win will not be a disappointment.  However, Barry Jenkins beautifully crafted Moonlight with limited resources and turned it into one of the best films of the year.
  • John David – Who will Win: Damien ChazelleLa La Land, he managed to make an original musical in a time when movie musicals are essentially dead.   Who Should Win: Barry Jenkins for Moonlight, a beautifully realized work of art.
  • Myrna – Who will Win: Barry Jenkins for a personal and intimate work, and done on a shoestring budget. I believe the academy will get this right.  Who Should Win: Barry Jenkins for Moonlight, but secretly, I am rooting for Denis Villeneuve, Arrival.
Best Actor: Casey Affleck, Manchester by the Sea, Andrew Garfield, Hacksaw Ridge, Ryan Gosling, La La Land, Viggo Mortensen, Captain Fantastic, Denzel Washington, Fences 

Denzel Washington, Fences
Denzel Washington, Fences

  • Ari – Who will Win: While Casey Affleck delivered a riveting performance and was considered the front-runner going into Awards Season, he has taken a serious blow due sexual harassment allegations.  Please note: While Oscar normally does not give a hoot about this kind of thing years later (see Roman Polanski, Mel Gibson, etc.) this is a bit fresh.  Therefore I am going to say that Denzel Washington is going to take home the gold, especially since he won the SAG.  Who Should Win: Both Washington and Affleck were fantastic in their films.  Washington, playing an outwardly combative man who feels that everything happens to him, not because of him, and Affleck, playing a man with the weight of the world and his conscience on his shoulders, both gave breathtaking performances this year.  Honestly, I would not be disappointed if there was a tie.
  • John David – Who will Win: I’m going to take a very minor risk and say, Denzel Washington, Fences will win his third Oscar. Affleck seems to be loosing ground due to his the bad press. Who Should Win: Casey Affleck for his brilliantly restrained performance Manchester. However, Denzel Washington was equally brilliant. For me, it’s really a toss up.
  • Myrna – Who will Win:  Denzel Washington in  Fences, but this will be a nail-biter down to to the last second. Casey Affleck has been the frontrunner but is losing steam.   Who Should Win: This is tough, both Affleck and Washington deliver tremendous performances,  but I think I have to go with Denzel Washington in  Fences.
Best Actress: Isabelle Huppert, Elle, Ruth Negga, Loving, Natalie Portman, Jackie, Emma Stone, La La Land, Meryl Streep, Florence Foster Jenkins

Emma Stone, La La Land
Emma Stone, La La Land

  • Ari – Who will Win: Emma Stone for La La Land.  She has the momentum of a hugely successful film and she has won all of the pre-Oscar awards.  This is a lock.  Who Should Win: I really enjoyed Ruth Negga in Loving.  Negga said more with her eyes and body language than she did with her mouth, and gave a worthy performance playing an amazing woman.
  • John David – Who will Win: The Best Actress winner should be called the Most Fuckable Hollywood White Girl Award and this year it goes to Emma Stone. She was good but no Huppert in Elle, or Streep in Florence Foster Jenkins, or Ruth Negga…or Amy Adams.  Who Should Win: Isabelle Huppert for her complex and brave performance, the most interesting and solid performance of the group. Amy Adams who was not nominated should have been a front runner for Arrival.
  • Myrna – Who will Win: This is  locked up for Emma Stone in La La Land. If there is an upset, it will be Isabelle Huppert, Elle. Who Should Win: Amy Adams for Arrival, she was ROBBED.
Best Supporting Actor: Mahershala Ali, Moonlight, Jeff Bridges, Hell or High Water, Lucas Hedges, Manchester by the Sea, Dev Patel, Lion, Michael Shannon, Nocturnal Animals.
Mahershala Ali, Moonlight
Mahershala Ali, Moonlight
  • Ari –Who will Win: Mahershala Ali is poised to take home the gold.  He was in about 15 minutes of the entire film, but his presence is felt throughout the entire film.  Who Should Win: Dev Patel was incredible in Lion.  His portrayal of a young man driven to find his family with few clues was heart-wrenching and heart-warming all at the same time.
  • John David – Who will Win: If Mahershala Ali doesn’t win for Moonlight, it’s “Fake News.”  Who Should Win: Mahershala Ali, Moonlight – just stop and give it to him!
  • Myrna – Who will Win:  Mahershala Ali, Moonlight but a Dev Patel upset could be possible. Who Should Win:  Mahershala Ali in Moonlight is EVERYTHING. 
Best Supporting ActressViola Davis, Fences, Naomie Harris, Moonlight, Nicole Kidman, Lion, Octavia Spencer, Hidden Figures, Michelle Williams, Manchester by the Sea.
Viola Davis, Fences
Viola Davis, Fences
  • Ari – Who will Win: Viola Davis should have had her Oscar speech written months ago. The third nomination will definitely be the charm for her.  Who Should WinViola Davis blew me away.  I recently read an article where she stated that even though the won a Tony for this role on Broadway, she finally felt that she understood the character when she made the film.  It is incredible.
  • John David – Who will Win: Viola Davis, Fences   Who Should Win: Viola Davis, Fences, followed very closely by Michelle Williams.
  • Myrna – Who will Win:Viola Davis, Fences  Who Should Win: Viola Davis, Fences full stop.
Best Adapted Screenplay: Arrival, Eric Heisserer, Fences, August Wilson, Hidden Figures, Allison Schroeder and Theodore Melfi, Lion, Luke Davis, Moonlight, Barry Jenkins with story by Tarell Alvin McCranley


  • Ari – Who will Win: Since Moonlight’s Barry Jenkins will not be taking home an Oscar for Best Director, he will win in this category.  Who Should Win: For me it’s a toss-up between Moonlight and Fences.  August Wilson was a masterful playwright, and, since he is deceased, this is his only chance to win an Oscar.  However, does this mean that William Shakespeare can be nominated too?
  • John David – Who will Win:Barry Jenkins for Moonlight and for not winning Best Director. Who Should Win: August Wilson, what language!
  • Myrna – Who will Win: August Wilson, Fences  Who Should Win: August Wilson, Fences the words are musical. 
Best Original Screenplay: Hell or High Water, Taylor Sheridan, La La Land, Damien Chazelle, The Lobster, Yorgos Lanthimos and Efthimis Filippou, Manchester by the Sea, Kenneth Lonergan, 20th Century Women, Mike Mills
Manchester by the Sea
Manchester by the Sea – Kenneth Lonergan
  • Ari – Who will WinThis is actually a tough category.  The Screen Writers Guild awarded Moonlight the Original Screenplay award, while the Academy deemed it only eligible as an Adapted Screenplay.  This means that La La Land and Manchester by the Sea will duke it out for the final prize.  I am going to say that the Academy will give it to Manchester.  Kenneth Lonergan worked on this script for several years and it was even included on Hollywood’s Blacklist of best unproduced screenplays at one point. Who Should Win: Manchester by the Sea 
  • John David – Who will Win: It would be quite sad to see La La Land win, it’s the most “unoriginal” screenplay of the group. I mean, it’s full of clichés that we’ve seen in countless other films—oh my coffee get spilled on her white shirt. Kenneth Lonergan for Manchester by the Sea. He’s not going to win director or best picture and this is a category where they can spread some love. Who Should Win: Lonergan for Manchester by the Sea, but I would love my personal favorite Yorgos Lanthimos and Efthimis Filippou to win for the darkly funny Lobster. By the way, where is Maren Ade for Toni Erdmann on this list?
  • Myrna – Who will Win: Manchester by the Sea, Kenneth Lonergan  Who Should Win:The Lobster, Yorgos Lanthimos’s dystopian tour de force.   
Best Animated Feature: Kubo and the Two Strings, Moana, My Life as a Zucchini, The Red Turtle, Zootopia.
  • Ari – Who will WinZootopia appealed to children and adults, which is key in this category.  Honestly, I loved the idea of a sloth working at the DMV.   Who Should Win: Zootopia was very innovative and entertaining, but I did enjoy the beautiful story behind Moana.
  • John David – Who will Win: Zootopia   Who Should Win: Zootopia. Yes, it’s all about the Sloth. 
  • Myrna – Who will Win: Zootopia   Who Should Win: Zootopia, so much wit.   The film is filled with lessons about tolerance, diversity and racial profiling delivered with conviction,  it is  almost a little  subversive. 
Best Animated Short: Blind Vaysha, Borrowed Time, Pear Cider and Cigarettes, Pearl, Piper


  • Ari – Who will WinPiper because Pixar short films are AWESOME!!!  Who Should Win: Piper because Pixar short films are AWESOME!!!
  • John David – Who will WinPiper   Who Should Win: One of the better movies of the year was Piper.
  • Myrna – Who will Win:  Didn’t see them, boo. Who Should Win:
 Best Cinematography: Arrival, La La Land, Lion, Moonlight, Silence 
  • Ari – Who will WinLa La Land turned a concrete city that I really have no love for (ahem, Los Angeles) into a beautiful world where love is just around the next corner.   Who Should Win: Lion’s sweeping views of Mumbai and Tasmania were a travel junkie’s eye-candy.  Yes, I am that junkie.
  • John David – Who will WinLa La Land, it had pretty lighting.  Who Should Win: missing from the nominees is Cafe Society (Vittorio Storaro), but Arrival is my pick.
  • Myrna – Who will Win: The safest bet, La La Land, Linus Sandgren will win.  Who Should Win: Bradford Young for Arrival. He is the first African-American cinematographer ever nominated for the award. He also shot two amazing films of 2014, Selma and A Most Violent Year.  
Best Costume Design: Allied, Fantastic Beasts and Where to Find Them, Florence Foster, Jenkins, Jackie, La La Land 


  • Ari – Who will Win: Mary Zophres costumes in La La Land were both timeless and evocative of Old Hollywood.  Who Should Win: I have issues with films that are based on famous people, as there is a mountain of photographic evidence to base portrayals and styling on.  However, Madeline Fontaine’s costumes in Jackie were meticulously done.  She took one of the most photographed dresses of the 20th century and brought it back to life.  It makes other attempts pale in comparison.
  • John David – Who will WinLa La Land for its TJ Max knock offs!  Who Should Win: Fantastic Beasts and Where to Find Them
  • Myrna – Who will Win: La La Land, the primary color palette was easy on the eye but no real thrill. Who Should Win: Jackie
Best Documentary Feature: Fire at Sea, I Am Not Your Negro, Life Animate, , O.J.: Made in America, 13th.
  • Ari – Who will Win: I have the feeling that 13th is going to be the winner in this category. This is mostly because 1.) The Academy will try to make it up to Ava DuVernay for not being nominated for directing Selma several years ago, and 2.) O.J.: Made in America was five hours long.  I don’t know if the Academy voters had the stamina to sit through the whole thing.  Who Should Win: I watched O.J. over the course of one weekend and I am considering doing it again.
  • John David – Who will Win: I have an odd feeling that 13th will win over O.J. both are fantastic documentaries but I think that 13th has this one.   Who Should Win: O.J. was riveting and extremely well done, but it’s really a TV doc. My vote goes to 13th the most important documentary of the year.
  • Myrna –  Who will Win: What an AMAZING year for documentaries. O.J.: Made in America, is a statement about celebrity and race relations in America, as it also was about a high profile murder case. Incredibly compelling. Who Should Win: 13th a game changer of a film. 
Best Film Editing: Arrival, Hacksaw Ridge, Hell or High Water, La La Land, Moonlight.
Hacksaw Ridge
  • Ari – Who will Win: La La Land, but I could see Moonlight pulling an upset.  Who Should Win: La La Land
  • John David – Who will Win: La La Land   Who Should Win: La La Land
  • Myrna – Who will Win:  La La Land, Tom Cross  Who Should Win: Arrival, Joe Walker a sci-fi parable about time, memory, and unity.
Best Foreign Language Film: Land of Mine, A Man Called Ove, The Salesman, Tanna, Toni Erdmann.
The Salesman, Shahab Hosseini, Asghar Farhadi
  • Ari – Who will WinI honestly think that Iran is going to win its second Academy Award for The Salesman.   Who Should Win: Toni Erdmann was hilarious.  I wish comedies won more awards.
  • John David – Who will Win: This is a tough one to call but I think it’s going to be Asghar Farhadi’s The Salesman edging out the rest, not only because it’s a great film but it may get some help from Farhadi’s boycott of the Oscars over Trump’s Muslim Ban.  Who Should Win: Toni Erdmann and The Salesman are both in my top 10 movies of 2016 with The Salesman having an edge.
  • Myrna – Who will Win: The Salesman, Asghar Farhadi Who Should Win: The Salesman, Asghar Farhadi, though I was secretly charmed by A Man Called Ove.
Best Documentary Short: Extremis, 4.1 Miles, Joe’s Violin, Watani: My Homeland, The White Helmets
  • Ari – Who will Win: Three of the documentaries have to do with war in Syria, so I think that they may split the vote.  What do Academy voters love to award outside of a timely issue?  That’s right, the Holocaust!  Joe’s Violin is about a Holocaust survivor who donates his violin to a little girl in the Bronx.   Who Should Win: I thought that White Helmets truly captured the feeling of civilians in war, and the need to help your fellow man.
  • David – Who will Win: The White Helmets   Who Should Win: The White Helmets
  • Myrna – Who will Win:  The White Helmets, Grain Media and Violet Films inspired by a Quranic verse that says “to save a life is to save all of humanity,” the group has rescued more than 60,000 people Who Should Win: The White Helmets, Grain Media and Violet Films

Best Live Action Short: Ennemis Intérieurs, La Femme et le TGV, Silent Nights, Sing, Timecode


  • Ari – Who will WinEnnemis Intérieurs, is a very timely film as it deals with a French-Algerian man accused of hiding the identities of possible terrorists.  Who Should Win: Ennemis Intérieurs
  • David – Who will WinSilent Nights  Who Should Win: There were some really good choices in this category, including Timecode and Ennemis Intérieurs, but La Femme et le TGV was a beautiful shot movie with an engaging story– it’s a complete little film that should take home the Oscar.
  • Myrna – Who will Win: Did not see them.  
Best Makeup and Hairstyling: A Man Called Ove, Star Trek Beyond, Suicide Squad
Star Trek Beyond
  • Ari – Who will WinStar Trek Beyond  Who Should Win: Star Trek Beyond!
  • David – Who will WinStar Trek Beyond.   Who Should WinStar Trek Beyond – I guess we are in agreement on this one! 
  • Myrna – Who will Win: Star Trek Beyond  Who Should Win: Star Trek Beyond
Best Original Score: Jackie, La La Land, Lion, Moonlight, Passengers.
La La Land
  • Ari – Who will WinLa La Land’s score was upbeat, romantic, haunting, and wistful. Not to mention I can’t stop listening to the soundtrack. Congrats Justin Hurwitz on your first Oscar.   Who Should Win: See above.
  • John David – Who will WinLa La Land, after all it’s a musical—with 14 nominations! Who Should Win: La La Land, would like to see Moonlight’s moving soundtrack score upset.
  • Myrna – Who will Win:  The musical,  La La Land. Who Should Win: Moonlight so moving.
Best Original Song: “Audition (The Fools Who Dream),” La La Land, “Can’t Stop the Feeling,” Trolls, “City of Stars,” La La Land, “The Empty Chair,” Jim: The James Foley Story, “How Far I’ll Go,” Moana
“How Far I’ll Go,” Moana
  • Ari – Who will Win: “City of Stars” was the perfect song to encapsulate the love of Mia and Sebastian.  Expect it to win.  Who Should Win: While I loved “City of Stars”, I might have to go with “Audition (The Fools Who Dream)” as it was Emma Stone’s best moment in the film.
  • John David – Who will Win: Of course “City of Stars,” it’s an adorable, simple little tune about Los Angles. Who Should Win: “How Far I’ll Go,” Moana. The song actually moves the story along and gives insight into the character’s struggle. Oh, and it’s a song by Lin Manuel Miranda–it’s his year! …or are we bored with him yet?  I second Mryna’s Sing Street comment below! 
  • Myrna – Who will Win:City of Stars,” La La Land but Trolls might just pull an upset Who Should Win: “How Far I’ll Go,” Moana or anything from Sing Street.
Best Production Design: Arrival, Fantastic Beasts and Where to Find Them, Hail, Caesar!, La La Land, Passengers 
Hail, Caesar!
  • Ari – Who will WinLa La Land, yay Hollywood! Who Should Win: Fantastic Beasts made a fantastic world come to life.  (See what I did there?)
  • John David – Who will Win: La La Land  Who Should Win: Hail, Caesar!
  • Myrna – Who will Win:  La La Land, it’s pretty.  Who Should Win: Arrival, stylish, with a look that will inspire so many sci-fi films to come.
Best Sound Editing: Arrival, Deepwater Horizon, Hacksaw Ridge, La La Land, Sully


  • Ari – Who will Win: I know nothing about Sound Editing or Sound Mixing.  However, a war film normally wins in this category when it is nominated, so welcome to your only win Hacksaw Ridge.  Who Should Win: Probably Hacksaw simply for bringing war to life.
  • John David – Who will WinHacksaw Ridge  Who Should Win: Hacksaw Ridge
  • Myrna – Who will Win:Hacksaw Ridge Who Should Win: Arrival
Best Sound Mixing: Arrival, Hacksaw Ridge, La La Land, Rogue One: A Star Wars Story, 13 Hours: The Secret Soldiers of Benghazi
La La Land
La La Land
  • Ari – Who will Win: La La Land because it is a musical!    Who Should Win: La La Land.  Let’s just say that it seems easier to mix live action with live action than making a seamless sound transition in pre-recorded music from a studio.
  • John David – Who will Win: La La Land   Who Should Win: La La Land
  • Myrna – Who will Win: Hacksaw Ridge  Who Should Win:Rogue One: A Star Wars Story:
Best Visual Effects: Deepwater Horizon, Doctor Strange, The Jungle Book, Kubo and the Two Strings, Rogue One: A Star Wars Story
The Jungle Book
  • Ari – Who will WinThe Jungle Book cause I want to play with Baloo. Who Should Win: All kidding aside, The Jungle Book’s visual effects were pretty incredible.
  • John David – Who will Win: The Jungle Book  Who Should Win: The Jungle Book
  • Myrna – Who will Win: The Jungle Book, too bad the couldn’t animate the kid. Who Should Win: Rogue One: A Star Wars Story

The 89th Academy Awards will be announced on Sunday, February 26 on ABC. Join MoviefiedNYC for live streaming at @MoviefiedNYC

Ten Best [Film and TV] Actresses of All Time

The Gay and Lesbian Entertainment Critics Association, found at GALECA.or and @DorianAwards, announced its members’ collective picks for the organization’s latest “Ten Best” list: GALECA’s Ten Best Actresses of All Time.

The 160-plus members of GALECA, a nonprofit group comprised of professional film and TV critics and entertainment journalists in the U.S., Canada and the U.K., were each asked to name their 10 choices for the finest female actors throughout the history of film and television, without ranking the stars. The actresses with the most mentions are noted below alphabetically (text by GALECA member Dana Piccoli). Note: Actresses who did not make the top 10 here but came closest among the 100 or so listed by members include Joan Crawford, Judi Dench, Sally Field, Judy Garland, Audrey Hepburn, Nicole Kidman, Jessica Lange, Helen Mirren, Elizabeth Taylor and Kate Winslet.

The Gay and Lesbian Entertainment Critics Association’s Ten Best Actresses of All Time (again, in alphabetical order) are:

Ingrid Bergman

Ingrid Bergman, Casablanca (1942)

The Swedish star is best known to your average Joe as misty-eyed Ilsa in Casablanca, but Bergman devotees know that she starred in many more, including a trio of Hitchcock films and George Cukor’s stellar thriller Gaslight. Bergman is also responsible for another gift to cinema: her daughter, actress Isabella Rossellini.

Cate Blanchett

Cate Blanchette, Elizabeth (1997)

Whether she’s playing a tortured 16th-century monarch or having clandestine glove lunches in 1952, Cate Blanchett radiates. She’s the kind of actress that demands your attention, and you gratefully give it. She’s picked up a host of Oscar and/or Golden Globe nominations (and a few wins) for her stunning performances in such modern classics as Elizabeth, Blue Jasmine and Carol (the latter two also earned her GALECA Dorian Awards).

Bette Davis

Bette Davis, The Little Foxes 1941

The grande dame of Hollywood’s Golden Age, Bette Davis commanded attention with her striking visage and powerful performances in films like All About Eve, The Little Foxes and What Ever Happened to Baby Jane? (Davis’ off-camera battles with costar Joan Crawford in the latter fuel the upcoming TV series Feud). But from the get-go, she was blazing trails as one of filmdom’s most distinct, eye-expressive actresses.

Viola Davis

Viola Davis, Doubt (2008)

Bette’s not the only Ms. Davis to stand out on the screen (big or small). This Juilliard-trained powerhouse has shown there’s no role she can’t conquer, winning two Tonys, two Oscar nominations (for Doubt and The Help) and, finally, like Stanwyck, an Emmy. That parade of awards will only keep growing as she lends her trademark thoughtfulness to more juicy roles like her current one as Annalise Keating in TV’s How to Get Away With Murder.

Jane Fonda

Jane Fonda, Klute (1971)

Fonda (a GALECA Timeless Star career-achievement honoree) may have come from Hollywood royalty, but she’s been paving her own way with intelligence and subversive wit since the sixties. Be it in the daring crime thriller Klute, feminist office comedy 9 to 5 to or gray-haired sitcom Grace and Frankie, Fonda is a nervy, magnetic presence. And few actresses have such a knack for shedding light on important issues with her brave performances. Witness her Oscar-winning turn in Coming Home.

Katharine Hepburn

Katherine Hepburn, The Lion in Winter (1968)

Few actresses, or actors, have the sort of self-possessed presence that came so naturally to Kate Hepburn. Even after her early success in was deemed a flash in the pan by the 1940s, she showed that talent and a hell of a lot of moxie can’t be quashed. Hepburn picked up three of her four Oscars later in life (see On Golden Pond), working until the age of 87. Her dedication to her art and her iconoclastic personal style translate to indelible.

Isabelle Huppert

Isabelle Huppert, The Piano Teacher (2001)

The French-born Cannes’ darling Huppert has been making waves in the film industry for over 40 years now, with no signs of slowing down. Her haunting performance in 2001’s The Piano Teacher may be her best known work in the U.S., but the BAFTA- and Cesar-winning chameleon has over 50 films under her belt, a testament to her status as one of the world’s most spectacularly natural acting talents. See her cast a spell in the current drama Elle.

Julianne Moore

Julianne Moore, Boogie Nights (1997)

Moore has the makings of a modern legend. She landed on the radar with her high of a performance in 1997’s Boogie Nights and she’s been building a noticeably meaty list of credits ever since. Her subtle and natural style has made her a household name and a favorite during Academy Awards season (and she won a GALECA Dorian Award for Still Alice). While Moore is usually cast in dramas like the heart-wrenching The End of the Affair, her comedic timing in The Big Lebowski is proof she has the chops to do it all.

Barbara Stanwyck

Barbara Stanwyck, Babyface (1933)

The stunningly “real” Stanwyck rose from a childhood filled with poverty and strife to become one of early Hollywood’s most dynamic actresses. The former Ziegfeld Follies dancer elicited tears in Stella Dallas, mesmerized in the noir classic Double Indemnity and delighted in the screwball comedy The Lady Eve. “Missy” later turned heads in television, winning three Emmys, including one for her gutsy performance in The Thorn Birds.

Meryl Streep

Meryl Streep, Sophie’s Choice (1982)

Enigmatic, brilliant, timeless. Meryl Streep’s career is as varied as can be, with Oscar-winning performances in The Iron Lady(which also earned her GALECA’s Dorian Award), Sophie’s Choice and Kramer vs. Kramer to fun frolics in films like Mamma Mia and The Devil Wears Prada. Streep completely loses herself in her roles, making her not only fascinating, but (shhh) GALECA’s number-one Best Actress of All Time.


The Gay and Lesbian Entertainment Critics Association (GALECA) sponsors the Dorian Awards, annually honoring movies and TV programs of all types, not just “gay.” GALECA’s membership consists of more than 160 professional critics, journalists and editors who cover the worlds of film and/or TV on for legitimate media outlets — from mainstream to LGBTQ-centric — in the United States, Canada and the U.K. More information may be found at

Opening This Weekend: August 15


It appears that August has arrived with every last minute summer movie release including the kitchen sink! But viewer beware, just because Meryl Streep (The Giver) is in it doesn’t mean it’s a good film. August has a bad reputation for being the dumping ground for movies that just don’t fit anywhere (“summer blockbuster release, award season release? I just don’t know. Hey! Let release it in August!”). This makes me wonder, why is Guardians of the Galaxy being released in August?  The word around town is that this could be the best Marvel picture of them all. Is August becoming the new December?  

So, whether you choose to checkout that indie you’ve heard so much about or the latest big studio release, don’t forget to click on the movie title below to view the trailer. We want to make sure you know what you are getting into before you head to the theater.

—Myrna E. Duarte

August 15
The Expendables 3

More guns, more action, more explosions, more actors, more of everything. The Expendables 3 is directed by Patrick Hughes (Red Hill) and written by Sylvester Stallone andOlympus Has Fallen scribes Creighton Rothenberger & Katrin Benedikt. Barney (SylvesterStallone), Christmas (Jason Statham) and the rest of the team comes face-to-face with Conrad Stonebanks (Mel Gibson), who years ago co-founded The Expendables with Barney. Stonebanks subsequently became a ruthless arms trader and someone who Barney was forced to kill…or so he thought. Stonebanks, who eluded death once before, now is making it his mission to end The Expendables, but Barney has other plans with a new era of Expendables team members, younger, faster and more tech-savvy.

The Giver

The Giver is directed by Phillip Noyce (Patriot Games, Clear and Present Danger, The Saint, Catch a Fire, Salt) and adapted by newcomer Michael Mitnick. The haunting story, adapted from Lois Lowry’s young adult book of the same name, centers on Jonas (Brenton Thwaites), who lives in a seemingly ideal, if colorless, world of conformity and contentment. Not until he is given his life assignment as the Receiver of Memory does he begin to understand the dark, complex secrets behind his fragile community. Jeff Bridges and Meryl Streep also star in the film.

Dinosaur 13 (Limited)

Dinosaur 13 is a compelling enough film about a fierce legal battle that ensued for the Tyrannosaurus Rex skeleton that most of the public knows as Sue. The doc focuses on the diggers who found the skeleton and shows an exhausting and frustrating court case determining the rights to this history-making dino.
Frank (Limited)

Frank is directed by Lenny Abrahamason (What Richard Did) and written by Jon Ronson (author of The Men Who Stare at Goats) and Peter Straughan (Tinker Tailor Soldier Spy). The film follows Jon (Domhnall Gleeson), who discovers he’s bitten off more than he can chew when he joins a band of eccentric pop musicians led by the mysterious and enigmatic Frank (Michael Fassbender) and his terrifying sidekick, Clara (Maggie Gyllenhaal). Frank’s uniqueness lies in the fact that he makes music purely for the joy of creating and because he wears a giant fake head. Could that be enough to make them a hit?
Life After Beth (Limited)

Life After Beth is written and directed by Jeff Baena (I Heart Huckabees) and premiered at the 2014 Sundance Film Festival. Dane DeHaan stars in the film as Zach, devastated by the unexpected death of his girlfriend, Beth (Aubrey Plaza). But when she miraculously comes back to life, Zach takes full advantage of the opportunity to share and experience all the things he regretted not doing with her before. However, the newly returned Beth isn’t quite how he remembered her and, before long, Zach’s whole world takes a turn for the worse. John C. Reilly, Anna Kendrick, Molly Shannon, Paul Reiser and Cheryl Hines all star in the film
The Trip to Italy (Limited)

Following their tasty, international comedy The Trip in 2010, Steve Coogan and Rob Brydon are back for seconds with The Trip to Italy. The comedy sequel debuted at Sundance earlier this year, and is already airing for our friends across the pond on BBC. But here in the United States, the film will hit theaters sometime this year, and the first trailer has arrived to show off more fantastic impressions, in depth discussions on particular music, and in a bit of meta writing, the merit of sequels. 
Let’s Be Cops

Let’s Be Cops is directed by Luke Greenfield (The Girl Next Door) who co-wrote the film with Nicholas Thomas (“Canoga Park”). When two struggling pals (Jake Johnson and Damon Wayans Jr., both of the series “New Girl”) dress as police officers for a costume party, they become neighborhood sensations. But when these newly-minted “heroes” get tangled in a real life web of mobsters and dirty detectives, they must put their fake badges on the line. Rob Riggle, Nina Dobrev, James D’Arcy and Andy Garcia also star in the film.


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Movie-Still Monday: Oscars stops Twitter!

From the front row of the Academy Awards, Ellen DeGeneres took this #selfie (with a few A-listers) that brought down twitter for many users, broke the record for most retweeted tweet of all-time, and also topped one million retweets for a single Twitter post. Ellen thank you for a fun show and humanizing what could have been a very stuffy evening. 

Live NOW! MoviefiedNYC presents The Weinstein Company’s August: Osage County Live

The Weinstein Company will host a screening followed by a live Q & A tonight, Monday, November 25 with the cast of their highly anticipated movie, August: Osage County in theaters December 25, including Meryl Streep, director John Wells, writer Tracy Letts and fellow cast members Julianne Nicholson, Juliette Lewis, Margo Martindale, Chris Cooper and Dermot Mulroney.   

Monday, November 25, 2013

Live-Streaming Q & A at 10:00 PM EST

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Movie-Still Monday – August: Osage County


Photo: CLAIRE FOLGER © 2013 The Weinstein Company. All Rights Reserved

Join the cast live tonight for an interactive Q & A session held in New York City at AMC Loews Theater Lincoln Square 13, 1998 Broadway, NY, NY 10023. The screening is to begin at 8:00 PM EST with the live-streamed Q & A following at 10:00 PM.

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Find tickets and showtimes on Fandango.