43rd Annual New Directors/New Films Festival March 19 – 30

The Double (Jesse Eisenberg)

The Film Society of Lincoln Center and The Museum of Modern Art present the 43rd annual New Directors/New Films March 19 – 30. For forty-three years New Directors/New Films has been an annual rite of early spring in New York City, bringing exciting discoveries from around the world to adventurous moviegoers. The series is dedicated to the discovery of new works by emerging and dynamic filmmaking talent; this year’s festival will screen twenty-seven international feature films and thirteen short films.

Tickets can be purchased online at newdirectors.org, or in person at the box offices of the Film Society of Lincoln Center (W. 65th Street, between Broadway and Amsterdam Avenue) and The Museum of Modern Art (11 W. 53rd Street). Tickets are $15, $12 for members of the Film Society of Lincoln Center and Museum of Modern Art. Tickets for Opening Night, Centerpiece, and Closing Night screenings are $20, $15 for members. 

A Girl Walks Home Alone at Night 
Ana Lily Amirpour, USA, 2014

This super-stylish and spellbinding Persian take on the vampire genre doubles as a compact metaphor for the current state of Iran. Ana Lily Amirpour’s debut feature guides us on a dreamlike walk on the wild side, into the nocturnal and sparsely populated underworld of “Bad City,” an Iran of the mind that nevertheless rings true. 

Persian with English subtitles
Wednesday, March 19, 7:00pm & 8:00pm – MoMA

20,000 Days on Earth
Iain Forsyth & Jane Pollard, 2014, U.K.
This unclassifiable immersion in the twilight world of polymath musician Nick Cave is a portrait worthy of a great self-mythologizer. In their feature debut, artists Iain Forsyth and Jane Pollard combine footage of Cave and the Bad Seeds recording their 2013 album Push the Sky Away with alternately telling and teasing scenes that fall somewhere between fact and fiction. 
Sunday, March 30, 7:00pm, 9:30pm – FSLC

Gillian Robespierre, USA, 2014

A girl walks into a bar…and starts telling jokes about her vagina and her boyfriend. But it turns out the joke’s on her: the boyfriend’s been sleeping with her friend, and he takes advantage of her public, extremely off-color verbal antics to dump her. 

Thursday, March 27, 
9:00pm – MoMA PS1
Saturday, March 29, 3:00pm – FSLC

The Babadook
Jennifer Kent, Australia, 2014
Young widow Amelia lives with her seven-year-old son, Samuel, who seems to get odder by the day. His father’s death in an accident when driving Amelia to the hospital to give birth to him may have something to do with the boy’s unnerving behavior, which scares other children and perhaps even his own mother. 
Satuday, March 22, 9:30pm – FSLC
Sunday, March 23, 9:00pm – MoMA

Joel Potrykus, USA, 2014

Winner of the Locarno Film Festival’s 2012 Best Emerging Director award for his debut feature Ape, Joel Potrykus makes a brazen leap forward with his sophomore effort, Buzzard, a darkly comical look at a slacker office temp who gets by on cold SpaghettiOs while getting off on stealing refund checks from his employer. 

Screening with:
Person to Person
Dustin Guy Defa, USA, 2014, HDCam, 18 min.
A man is baffled when he finds a beautiful woman sleeping on his floor the morning after a party—and becomes even more so when she refuses to leave.
Sunday, March 23, 6:15pm – FSLC
Monday, March 24, 8:30pm – MoMA

Dear White People
Justin Simien, USA, 2014

Welcome to Winchester University where, in the name of diversity, the all-black residence hall Parker/Armstrong is about to be dismantled. In the middle of an Ivy League campus, all racial hell breaks loose: Samantha White (Tessa Thompson) uses her campus radio show to call out the administration as well as her fellow students, while Afroed geek Lionel (Tyler James Williams) writes for the all-white college newspaper hoping to expose hypocrisy campus-wide. 

Friday, March 21, 9:00pm – FSLC
Sunday, March 23, 6:00pm – MoMA

The Double
Richard Ayoade, U.K., 2013

Richard Ayoade, director of The Double 

Richard Ayoade has built a loyal following with his hilariously “off” characters, notably the one he plays in the TV series The IT Crowd and those that inhabit his 2010 directorial debut, Submarine. His cerebral, visually arresting follow-up, The Double, based on Dostoevsky’s 1846 novella, enters slightly darker territory, and recalls the stylizations of Terry Gilliam. Starring Jesse Eisenberg as both Simon James, a humdrum worker drone, and his gregarious doppelgänger, James Simon, the film is set within both the claustrophobic confines of Simon’s bureaucratic workplace and his paranoid mind. Aided by a stellar supporting cast (including Wallace Shawn, Mia Wasikowska, Sally Hawkins, Paddy Considine, and Chris O’Dowd), The Double firmly establishes Ayoade as a leading voice in contemporary cinematic comedy. A Magnolia Pictures release.

Monday, March 24, 9:00pm – FSLC
Saturday, March 29, 6:30pm – MoMA

Fish & Cat
Shahram Mokri, Iran, 2013

A bold experiment in perpetual motion with an enigmatic time-warp narrative, Fish & Cat plays out as one continuous shot, with the camera moving among a host of characters at a remote forest and a nearby lake. 

Persian with English subtitles
Thursday, March 27, 6:00pm – MoMA
Friday, March 28, 9:00pm – FSLC

History of Fear (Historia del miedo)
Benjamín Naishtat, Argentina/Uruguay/France/Germany/Qatar, 2014 
How strong does a fence need to be, or how loud must an alarm blare, or how brightly should an open field be lit for us to feel safe? The impossibility of a definitive answer to these kinds of questions lies at the heart of Benjamín Naishtat’s unsettling feature debut. Set in an economically destabilized Argentina, the film weaves stories of characters from multiple social strata into an interlocking narrative of paranoia and fear. 
Spanish with English subtitles
Friday, March 21, 9:00pm – MoMA
Sunday, March 23, 9:15pm – FSLC

The Japanese Dog
Tudor Cristian Jurgiu, Romania, 2013

Offering a striking departure from the gallows humor of the Romanian New Wave, Jurgiu’s Chekhovian The Japanese Doginstead pays loving homage to the tender and gently comical family dramas of Yasujiro Ozu, Late Spring and There Was a Father in particular. Victor Rebengiuc, a legendary veteran of stage and screen, imbues the elderly Costache Moldu with a stoic, yet fragile dignity as he reunites with his estranged son after losing his wife and home in a devastating flood. 

Romanian with English subtitles
Friday, March 21, 6:30pm – FSLC
Sunday, March 23, 1:00pm – MoMA

Directors: Gilles Deroo, Marianne Pistone

Mouton (Sheep)

Gilles Deroo & Marianne Pistone, France, 2013
Mouton (“Sheep”) is the nickname of Aurelien (David Mérabet), who at 17 is granted independence from his troubled family and goes off to live on his own in a seaside town. Hired as a chef’s assistant, Sheep fits in well with his coworkers and makes new friends. Life is finally good. 
French with English subtitles
Thursday, March 20, 9:00pm – MoMA
Saturday, March 22, 6:30pm – FSLC

Of Horses and Men
Benedikt Erlingsson, Iceland/Germany, 2013

A country romance about the human streak in the horse and the horse in the  human. Love and death become intertwined with enormous consequences. The fortunes of people in the countryside as seen through the eyes of horses. The debut feature by celebrated stage director Benedikt Erlingsson announces the arrival of an innovative new cinematic voice. 

Icelandic, Swedish, Spanish, Russian, and English with English subtitles
Saturday, March 22, 6:15pm – MOMA
Monday, March 24, 6:30pm – FSLC

Quod Erat Demonstrandum
Andrei Gruzsniczki, Romania, 2013

Romania, mid-1980s. Sorin (Sorin Leoveanu), a gifted mathematician whose career advancement is blocked because he is not a member of the Communist party, comes to the attention of the security services after he secretly arranges for an academic paper on his new theorem to be published in an American journal. 

Romanian with English subtitles
Thursday, March 20, 9:00pm – FSLC
Saturday, March 22, 3:30pm – MOMA
Return to Homs
Director, Talal Derki

Talal Derki, Syria/Germany, 2013

As immersive a documentary of active war as has ever been made, this unsparing account of the struggle for Homs follows—from August 2011 to August 2013—two close friends whose lives are completely altered when their beloved city is bombed into a ghost town. 
Arabic with English subtitles
Tuesday, March 25, 6:15pm – MoMA
Wednesday, March 26, 9:00pm – FSLC

Salvation Army (L’Armée du salut) – US PREMIERE
Abdellah Taïa, France/Morocco/Switzerland, 2013
Like the book it’s based on—Abdellah Taïa’s own 2006 landmark novel—the Moroccan author’s directorial debut is a bracing, deeply personal account of a young gay man’s awakening that avoids both cliché and the trappings of autobiography. 

Thursday, March 27, 6:30pm – FSLC
Friday, March 28, 6:15pm – MoMA

Fabio Grassadonia & Antonio Piazza, 
Italy/France, 2013
In their supremely assured debut feature, writer-directors Fabio Grassadonia and Antonio Piazza breathe new life into the time-honored genre of the Mafia thriller. While hunting down a rival who has ordered a hit on him, the titular gangster (a smoldering Saleh Bakri) invades a Palermo home, only to discover his prey’s blind sister, Rita (Sara Serraiocco), in the basement. 
Saturday, March 29, 9:00pm – MoMA
Sunday, March 30, 4:00pm – FSLC

She’s Lost Control
Anja Marquardt, 2014, USA
In a world of increasing layers between people, intimacy is perhaps the most elusive ingredient of human interaction. A person can either take the plunge and emotionally connect with their OS (à la Spike Jonze’s Her) or, in the case of She’s Lost Control, psychotherapists can refer patients to sex surrogates. 
Saturday, March 29, 9:00pm – FSLC
Sunday, March 30, 4:30pm – MoMA

A Spell to Ward Off the Darkness
Ben Rivers & Ben Russell, Estonia/France, 2013, DCP

As collaborators, Ben Rivers and Ben Russell, two intrepid and nomadic talents of experimental film and art, have created one of the most bewitching cinematic experiences to come along in a great while. In A Spell to Ward Off the Darkness, Robert A.A. Lowe, the celebrated musician behind Lichens and Om, gives a strangely affecting, perhaps even trance-inducing performance as the film’s Parsifal figure, a quixotic man who embarks on a quest for utopia—the holy grail of infinite truth, self-knowledge, and spiritual connectedness. 

Saturday, March 22, 9:00pm – MOMA
Tuesday, March 25, 6:30pm – FSLC


Stop the Pounding Heart
Roberto Minervini, Belgium/Italy/USA, 2013
Sara (Sara Carlson, playing herself) is part of a devout Christian goat-farming family with 12 children, all home-schooled and raised with strict moral guidance from the Scriptures. Set in a rural community that has remained isolated from technological advances and lifestyle influence—no phones, TVs, computers, or drunken-teen brawls—the subtly narrative film follows Sara and Colby, two 14-year-olds with vastly different backgrounds who are quietly drawn to each other. In Minervini’s intimate documentary-style portrait—the third in the Italian-born filmmaker’s Texas trilogy—Sara’s commitment to her faith is never questioned. 
Friday, March 21, 6:15pm – MOMA
Sunday, March 23, 3:30pm – FSLC

Story of My Death (Història de la meva mort)
Albert Serra, Spain/France, 2013

No one else working in movies today makes anything remotely like the Catalan maverick Albert Serra, a cerebral oddball and improbable master of cinematic antiquity. Known for his unconventional adaptations of Cervantes’s Don Quixote (Honor of the Knights) and the Biblical parable of the Three Kings (Birdsong), Serra here stages the 18th-century passage from rationalism to romanticism as a tussle between two figures of legend, Casanova and Dracula. 

Catalan with English subtitles
Wednesday, March 26, 9:00pm – MoMA
Saturday, March 29, 5:30pm – FSLC

The Strange Color of Your Body’s Tears
Hélène Cattet & Bruno Forzani, Belgium/France/Luxembourg, 2013

Deepening and amplifying their super-fetishistic remix of Italian giallo and horror tropes in Amer (ND/NF 2010), Hélène Cattet and Bruno Forzani here create a delirious and increasingly baroque pastiche of the trance film and cinéma fantastique—and then push it to breaking point. 

French and Dutch with English subtitles
Friday, March 28, 9:00pm – MoMA
Sunday, March 30, 1:15pm – FSLC

The Strange Little Cat (Das merkwürdige Kätzchen)
Ramon Zürcher, Germany, 2013
Ramon Zürcher

In the hands of masters like Jacques Tati, Lucrecia Martel, and Chantal Akerman, cinema that at first appears to merely observe and record is in fact masking intricately constructed commentaries, built from seemingly mundane experiences. In the case of The Strange Little Cat, an extended family-dinner gathering becomes an exquisitely layered confection ready for writer-director Ramon Zürcher’s razor-sharp slicing. 

German with English subtitles
Tuesday, March 25, 9:00pm – MoMA
Wednesday, March 26, 6:30pm – FSLC

To Kill a Man
Alejandro Fernández Almendras, Chile/France, 2014
Bullying is a phenomenon that doesn’t just take place in the schoolyard. In Alejandro Almendras’s raw, unnerving psychological thriller, bullies and their victims live side by side in a working-class neighborhood. 
Spanish with English subtitles
Thursday, March 20, 6:30pm – FSLC
Sunday, March 23, 3:30pm – MoMA

Trap Street (Shuiyin Jie)
Vivian Qu, China, 2013

Notions of surveillance and observation are turned inside out in Trap Street, producer Vivian Qu’s first turn as a director. While surveying city streets for a digital-mapping company, engineer Qiuming catches sight of Lifen, a beautiful young woman. Immediately smitten, he follows her to a street that doesn’t appear on any map or even a GPS. 

Mandarin with English subtitles
Friday, March 28, 6:30pm – FSLC
Saturday, March 29, 4:00pm – MoMA
The Vanquishing of the Witch Baba Yaga
Jessica Oreck, USA/Russia/Ukraine/Poland, 2013
Deep in the forest, wedged in cracks in the bark and under moss-covered rocks, memories and myths are hidden. 
Saturday, March 22, 1:30pm – FSLC
Monday, March 24, 6:15pm – MoMA

We Come as Friends
Hubert Sauper, France/Austria, 2014
Hubert Sauper’s masterful exploration of modern colonialism, with war-ravaged Sudan as a focus, offers devastating insights into the most premeditated, casually insidious ways of taking possession of Africa today. .
English, Chinese, Arabic, Ma’di, and Toposa with English subtitles
Thursday, March 20, 6:15pm – MoMA
Saturday, March 22, 3:45pm – FSLC

Tom Shoval, Israel/Germany, 2013

Tom Shoval’s gripping, haunting feature debut depicts the ill-advised kidnapping scheme of two Israeli brothers (real-life siblings Eitan and David Cunio) from preparation to aftermath. 

Hebrew with English subtitles

Screening with:
Shlomo X (שלמה איקס)
Ruth Patir, Israel, 2013, HDCam, 9 min.
A car mechanic is at the nexus between fictional and real-life stories.  
Tuesday, March 25, 9:15pm – FSLC
Wednesday, March 26, 6:00pm – MoMA

ND/NF Shorts Program 1 (76 min.)
Saturday, March 22, 1:00pm – MoMA
Sunday, March 23, 1:15pm – FSLC
You Can’t Do Everything at Once, But You Can Leave Everything at Once   

ND/NF Shorts Program 2 (72 min.)
Saturday, March 29, 12:30pm – FSLC
Sunday, March 30, 2:00pm – MoMA

The Reaper (La Parka)

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s